The House I Loved
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Determined to protect her historical family home from Emperor Napoleon's orders to renovate 1860s Paris, Rose Bazelet establishes a defense in the basement of her house on rue Childebert and records her experiences in letters to her late husband.
Imprint:
Waterville, Me. - Wheeler Publishing
Pages:
293
Edition:
Large print ed
ISBN:
9781410445193, 1410445194
Language:
English
Statement of responsibility:
Tatiana de Rosnay
Characteristics:
293 p. (large print) ;,23 cm.
Author (Original Script):
Rosnay, Tatiana de
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Add a CommentThe protagonist in one of the most unlikable characters I've ever encountered. She is shallow, self absorbed, and vapid. I felt her attachment to the house and the way in which she resisted the change to be completely lackluster and devoid of any real emotion. A petulant brat who basically pouted when things didn't go her way, and a terrible mother to boot. I love history and have studied architecture, yet felt no real emotion from this read. Totally disappointing.
I loved "Sarah's Key" and was really hoping to get some of the magic out of this book. I found that not to be the case. I think that had it been wrote a different way (not in a letter form) that it would have been a stronger read.
The story is not as strong and memorable as Sarah's Key. It may have been a better book had it been written in the present tense as opposed to a series of letters to her dead husband remembering the past times in the house, which is now expropriated and in the path of demolision. Not a compelling read.
finished 8/12. A person interested in history, urban planning and France would enjoy this novel. It made me feel sad, but I still loved it. De Rosnay really immerses you in the atmosphere of the late 1800s when Baron Haussmann was redesigning Paris. Mentions Madame Bovary, Les Fleurs du Mal by Beaudelaire (The Fall of the House of Usher), and Edgar Allen Poe.
Very disappointed..boring and dull..waste of time.
I listened to the audiobook version of this novel and found it all very engaging. The voice of Mme Bazolet is so gentle and feminine, an exemplar of the time in which this book is set. I suspect that many modern take-charge type women readers (is there any other kind?) might find Rose grating. For me, she came across as a person who found her way happily through life at a time when most doors would have been closed against her simply by virtue of her sex. I also appreciated the underlying parallel theme of the book to senseless overdevelopment and neighborhood loss in our own modern cities. Been on the South mountain or dealt with City Hall lately? I rest my case. I'm with Rose Bazolet and Tatiana De Rosnay all the way!
The main character is a weak and whiny woman. The story of Paris old is told through letters to her dead husband. Reading her letters was depressing. She lives well (at least two house servants) off her adoring husband's money but all she does is complain and act like a martyr. Characters like her suck the joy out of reading. I understand a deep love for certain physical places, but not passivity and a death-pack. Instead of writing letters about all the wonderful memories the house lived through and leaving beautiful memories for her daugher and grandchildren, she continuously harped on the negative. Worst drivel I have read in a long time. How did this even get published?
boring......read about 50 pages and stopped......not nearly as good as sarah's key.......very repetitive writing
This novel by the author of Sarah's Key delves into the life of a woman whose very being revolves around her home in Paris in the 1860's. At that time, Paris was redesigned causing many to lose the houses that they cherished to demolition. Through letters to her dead husband, Rose allows us, the reader into the interior recesses of her life. A good read, especially thouse nostalgic for the past.
I loved the sense of place in this book. I'd known about Haussmann's "embellishments," but seeing the process through the lens of the narrator personalized it for me. Downsides: it could've been twice as long (lots of blank chapter-end pages . . . ) and thus more fully developed. Also, de Rosnay favors comma-splice run-on sentences, which drive me nuts. Still, I enjoyed it and did not find it boring.