Adventures of Huckleberry Finn
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Presents all of Mark Twains's books in the format in which they were first published, including the original illustrations
Oxford University Press
If any one writer stands at the heart of American literature it is Mark Twain. With his wild head of hair, thick mustache, and brilliant white suit, he is more recognizable than any living writer, and in his time he was, as he himself put it, "the most conspicuous person on the planet." He is certainly America's most popular writer--arguably the most popular American writer the world over--and the greatest humorist we have ever known, a marvelous teller of tall tales, a genial entertainer, a consistently quotable sage. He is also one of our finest satirists, who penned withering attacks on hypocrisy and corruption (he once said he wrote with "a pen warmed up in hell") and in his most serious works, such as Huckleberry Finn and Pudd'nhead Wilson, he cast a profound light on the darkest recesses of the nation's psyche.
The twenty-nine-volume Oxford Mark Twain is a major literary event. In addition to gathering together a superb collection of Twain's works, editor Shelley Fisher Fishkin has commissioned some of our most eminent living writers to introduce each volume with their personal insights and experiences of Twain. Readers will find, for instance, Toni Morrison reflecting on Huckleberry Finn, Kurt Vonnegut on Connecticut Yankee, Arthur Miller on Twain's Autobiography, Roy Blount Jr. on The Celebrated Jumping Frog of Calaveras County, E.L. Doctorow on Tom Sawyer, Willie Morris on Life on the Mississippi, Garry Wills on Christian Science, and Cynthia Ozick on The Man that Corrupted Hadleyburg and Other Stories and Essays. Other writers include Gore Vidal, Ursula K. Le Guin, George Plimpton, Ward Just, Russell Banks, Bobbie Ann Mason, Malcolm Bradbury, Nat Hentoff, Sherley Anne Williams, Justin Kaplan, Walter Mosley, Erica Jong, Judith Martin ("Miss Manners"), David Bradley, Frederick Pohl, Mordecai Richler, Lee Smith, Anne Bernays, Charles Johnson, Fred Busch, and actor Hal Holbrook (who introduces Twain's collected speeches). And each volume includes an afterword by a noted scholar--such as Louis J. Budd, Victor A. Doyno, Leslie A. Fiedler, James A. Miller, Linda Wagner-Martin, Forrest Robinson, M. Thomas Inge, Fred Kaplan, Susan Harris, and David L. Smith--who place the work in the context of Twain's career and the literary and social climate of the time. In effect, the set gathers together an literary who's who, all of whom reflect on what Mark Twain's work means to them as writers and scholars, and what he means to our literary history and to our culture as a whole. Taken together, these introductions and afterwords provide a major reevaluation of Twain, allowing readers to see his work in fresh ways.
But of course the most important thing is the work itself. Here is the full range of Twain's remarkably prolific career, including The Celebrated Jumping Frog of Calaveras County, The Innocents Abroad, Roughing It, The Adventures of Tom Sawyer, A Tramp Abroad, The Prince and the Pauper, Life on the Mississippi, Adventures of Huckleberry Finn, A Connecticut Yankee in King Arthur's Court, The Tragedy of Pudd'nhead Wilson, The Man that Corrupted Hadleyburg, The Million Pound Banknote, Following the Equator, and Extracts from Captain Stormfield's Visit to Heaven. Readers will find freewheeling parodies and burlesques, Twain's inimitable travel pieces, rich and complex portraits of childhood along the Mississippi, ghost stories and detective stories, irreverent lampoons of corrupt politicians, dark ruminations on the nature of humanity, and sharp-tongued editorials on the events of his day (such as Belgian imperialism in Africa or anti-Semitism in Vienna). Many of the works included here--such as Sketches, New and Old, A Tramp Abroad, The American Claimant, Is Shakespeare Dead? and Joan of Arc--have not been readily available for decades.
Equally important, The Oxford Mark Twain is a facsimile of the first American editions of Twain's work, and includes all the original illustrations, some of which were drawn by Twain himself, and many of which have not been seen since these editions went out of print. Moreover, in each volume containing art, Fishkin has commissioned an essay on that volume's illustrations and the artists responsible. Captivating in themselves, these illustrations add an extra dimension to the narratives that has been missing for a hundred years. Each volume also includes, as its frontispiece, a specially selected photo of Twain around the age he was when he wrote the book at hand.
The Oxford Mark Twain is an unprecedented undertaking and a cause for celebration. Colorful, irreverent, romantic, skeptical, a master of comic asides, a bittersweet humorist, and an unflinching critic of human pretensions, Mark Twain speaks to us across time with verve and wisdom. Combining the works themselves, reflections on Twain by some of our leading writers and scholars, and the original illustrations--all at a very affordable price--this superb twenty-nine-volume set will be treasured by everyone.
Finn, Huckleberry (Fictitious character)
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SummaryAdd a Summary
Huck is none too thrilled with his new life of cleanliness, manners, church, and school. However, he sticks it out at the bequest of Tom Sawyer, who tells him that in order to take part in Tom’s new “robbers’ gang,” Huck must stay “respectable.” All is well and good until Huck’s brutish, drunken father, Pap, reappears in town and demands Huck’s money. The local judge, Judge Thatcher, and the Widow try to get legal custody of Huck, but another well-intentioned new judge in town believes in the rights of Huck’s natural father and even takes the old drunk into his own home in an attempt to reform him. This effort fails miserably, and Pap soon returns to his old ways. He hangs around town for several months, harassing his son, who in the meantime has learned to read and to tolerate the Widow’s attempts to improve him. Finally, outraged when the Widow Douglas warns him to stay away from her house, Pap kidnaps Huck and holds him in a cabin across the river from St. Petersburg.........
A boy named Huck leaves his village making his father(who is trying to take money of him), The old man 9 who is meant to be his guardian). think that he is dead. He goes to an island and stays therer while he realizes a man named Jim(he is Mrs Watsons servant) is staying there too.
NoticesAdd a Notice
Coarse Language: There is some inappropriate words such as ; nigger
QuotesAdd a Quote
"You don't know about me, without you have a read a book by the name of "The Adventures of Tom Sawyer," but that ain't no matter. That book was made by Mr. Mark Twain, and he told the truth, mainly. There was things which he stretched, but mainly he told the truth. That is nothing. I never seen anybody but lies, one time or another, without it was Aunt Polly, or the widow, or maybe Mary. Aunt Polly - Tom's Aunt Polly, she it - and Mary, and the Widow Douglas, is all told about in that book - which is mostly a true book; with some stretchers, as I said before."
"Persons attempting to find a motive in this narrative with be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot."
By Order of the Author
per G.G., Chief of Ordnance.
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