Nine
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Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. Ten days away from the start of principal filming of his latest movie--ambitiously titled "Italia"--he has no idea for the movie at all. Escaping
… More »Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. Ten days away from the start of principal filming of his latest movie--ambitiously titled "Italia"--he has no idea for the movie at all. Escaping all the pressure at a seaside resort, he thinks about the women who have shaped his life: Mamma, judgmental but affectionate; Luisa, cherished yet under appreciated wife; Claudia, actress/muse of the picture; Carla, his flashy, passionate mistress; longtime costumer Lilli; bubbly American journalist Stephanie, and Saraghina, the salacious, witchy temptress of his childhood memories.
« LessBased on the Broadway musical Nine, book by Arthur Kopit ; music and lyrics by Maury Yeston ; adaptations from the Italian by Mario Fratti
Originally produced as a motion picture in 2009
Special features: Commentary with director Rob Marshall and producer John DeLuca [optional audio feature]; Featurettes: The incomparable Daniel Day-Lewis (5 min.); The women of "Nine" (11 min.); Director Rob Marshall (7 min.); Behind the look of "Nine" (8 min.); The dancers of "Nine" (5 min.); The choreography of "Be Italian" (4 min.); Making of "Cinema Italiano" (3 min.); The choreography of "Cinema Italiano" (9 min.); Music videos (11 min.); Previews (15 min.)
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Summary
Add a Summarya director's struggle to create something great everytime.and how his family relations suffer because of his busy retless life.
Quotes
Add a Quote“Music expresses that which cannot be put into words and that which cannot remain silent” ― Victor Hugo
“Respectability is the punishment of the wild.”-Margaret Mitchell
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Add a CommentAlthough I'm a big fan of musicals this one was not a favorite. Great actors but too many in one movie.
This movie was terrible. Dumb, Boring and Stupid a Waste of time - Waste of Electrical power. It would be a waste of money to buy. Un- watchable best describes this movie. I fast forwarded all the way.
This was a disappointing waste of its talented cast. Although not terrible, it is full of stereotypes and not all that interesting. I'd agree with the commenter who thought Judi Dench's charater was the most real and Marion Cotillard did the best she could with the limited material. Otherwise the film is just a glossy bit of fluff.
This is an American musical which feels like an American musical. A film director is unable to make a film because of his phoney relations with seven women - mother, wife, girlfriend, admirer, costume designer, prostitute and who knows who the seventh leading lady was. The dance routines livened up the film. The key fault was characterization. There was not one original character in the film - not one person who felt real, except perhaps Judi Dench.
more hype and expectations than what it is.boring movie.
What a waste of talent - yeesh, how many Oscars have the cast & crew got collectively? This is high-production-value, tired, soft-core porn. And boring, at that. Day-Lewis is a terrific actor but doesn't dance all that well, and speak-sings his songs. They couldn't find anyone that could handle all three? And all these fabulous women, just wasted in poorly-written, heavily cliched roles. It's sad.
The fact that it is bizarre, and a taste of movie making, with all its trappings and odd character, Fellini would have loved. See La Dolce Vita and compare. I just watched it again......loved it again. The references to old Italian movies shot at Cinecetta are lots of fun.
I love, love, love musicals but this movie was atrocious! It was so slow that I stopped watching three times but decided I should give it a chance and watched the whole thing. The story line was terrible! I thought with the big names in it that it would be a good one. Absolutely NOT my cup of tea. Burlesque and Mamma Mia were MUCH better musicals’.
This movie is dreadful, with minimal redemption in the form of eye candy. Lingering close-ups of the exquisite Marion Cotillard, the camera's loving examination of Penelope Cruz and her spectacular wardrobe, cameos by Kate Hudson and Fergie, and flashy song-and-dance numbers: sadly none of these things can enliven the plot or allow us to forgive the protagonist's nauseating self-indulgence. I suspect that Federico Fellini would be less than flattered by this "tribute".
Disappointing. Despite some big name actors, this musical about an unfaithful womanizing director who is unable to come up with a new script falls short of being remotely interesting.