W.C. Handy
The Life and times of the Man Who Made the Blues
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Random House, Inc.
Before there was Elvis, there was W.C. Handy, “the man who made the blues.” Here is the first major biography in decades of the man who gave us such iconic songs as “St. Louis Blues,” “The Memphis Blues,” and “Beale Street Blues,” and who was responsible, … More »
Before there was Elvis, there was W.C. Handy, “the man who made the blues.” Here is the first major biography in decades of the man who gave us such iconic songs as “St. Louis Blues,” “The Memphis Blues,” and “Beale Street Blues,” and who was responsible, … More »
Random House, Inc.
Before there was Elvis, there was W.C. Handy, “the man who made the blues.” Here is the first major biography in decades of the man who gave us such iconic songs as “St. Louis Blues,” “The Memphis Blues,” and “Beale Street Blues,” and who was responsible, more than any other musician, for bringing the blues into the American mainstream.
David Robertson charts W.C. Handy’s rise from a rural Alabama childhood in the last decades of the nineteenth century to become one of the most celebrated songwriters of the twentieth. The child of former slaves, Handy was first inspired by spirituals and folk songs, and his passion for music pushed him to leave home as a teenager, despite opposition from his preacher father. He soon found his way to St. Louis, where he spent a winter sleeping on cobblestone docks before lucking into a job with an Indiana brass band. It was in a minstrel show, playing to racially mixed audiences across the country, that he got his first real exposure as a professional musician, but it was in Memphis, where he settled in 1905, that he hit his full stride as a composer. There, Handy frequented the famous saloons and music halls of Beale Street and composed his legendary songs. By the time of his death in 1958, at the age of eighty-five, he had become a major influence on pop culture, his music recorded by countless musicians, from Bessie Smith to Django Reinhardt.
Robertson weaves a rich tapestry of the worlds Handy inhabited: the post-Reconstruction South; the ministrel shows in all their racial ambiguity; the mysterious, forbidding Mississippi Delta; Memphis, with its jumping music scene; and New York’s Tin Pan Alley. At once a testament to the power of song and a chronicle of race and black music in America, W.C. Handy’s life story is in many ways the story of the birth of our country's indigenous culture—and a riveting must-read for anyone interested in the history of American music.
Baker & Taylor
Charts Handy's rise from a rural Alabama childhood in the late nineteenth century to become one of the most celebrated songwriters of the twentieth, responsible for such iconic songs as "St. Louis Blues," "Memphis Blues," and "Beale Street Blues."
Baker
& Taylor
Charts Handy's rise from a rural Alabama childhood to become one of the most celebrated songwriters of the twentieth century, responsible for such iconic songs as "St. Louis Blues," "Memphis Blues," and "Beale Street Blues."
« Less
Before there was Elvis, there was W.C. Handy, “the man who made the blues.” Here is the first major biography in decades of the man who gave us such iconic songs as “St. Louis Blues,” “The Memphis Blues,” and “Beale Street Blues,” and who was responsible, more than any other musician, for bringing the blues into the American mainstream.
David Robertson charts W.C. Handy’s rise from a rural Alabama childhood in the last decades of the nineteenth century to become one of the most celebrated songwriters of the twentieth. The child of former slaves, Handy was first inspired by spirituals and folk songs, and his passion for music pushed him to leave home as a teenager, despite opposition from his preacher father. He soon found his way to St. Louis, where he spent a winter sleeping on cobblestone docks before lucking into a job with an Indiana brass band. It was in a minstrel show, playing to racially mixed audiences across the country, that he got his first real exposure as a professional musician, but it was in Memphis, where he settled in 1905, that he hit his full stride as a composer. There, Handy frequented the famous saloons and music halls of Beale Street and composed his legendary songs. By the time of his death in 1958, at the age of eighty-five, he had become a major influence on pop culture, his music recorded by countless musicians, from Bessie Smith to Django Reinhardt.
Robertson weaves a rich tapestry of the worlds Handy inhabited: the post-Reconstruction South; the ministrel shows in all their racial ambiguity; the mysterious, forbidding Mississippi Delta; Memphis, with its jumping music scene; and New York’s Tin Pan Alley. At once a testament to the power of song and a chronicle of race and black music in America, W.C. Handy’s life story is in many ways the story of the birth of our country's indigenous culture—and a riveting must-read for anyone interested in the history of American music.
Baker & Taylor
Charts Handy's rise from a rural Alabama childhood in the late nineteenth century to become one of the most celebrated songwriters of the twentieth, responsible for such iconic songs as "St. Louis Blues," "Memphis Blues," and "Beale Street Blues."
Baker
& Taylor
Charts Handy's rise from a rural Alabama childhood to become one of the most celebrated songwriters of the twentieth century, responsible for such iconic songs as "St. Louis Blues," "Memphis Blues," and "Beale Street Blues."
« Less
Imprint:
New York - Alfred A Knopf
Pages:
286
Edition:
1st ed
ISBN:
9780307266095, 0307266095
Language:
English
Notes:
Includes bibliographical references (p. [269]-271) and index
A view of Mr. Handy : one afternoon in Memphis, 1918 -- Slavery, the AME Church, and emancipation : the Handy family of Alabama, 1811-1873 -- W.C. Handy and the music of black and white America, 1873-1896 -- Jumping Jim Crow : Handy as a traveling minstrel musician, 1896-1900 -- Aunt Hagar's ragtime son comes home to Alabama, 1900-1903 -- Where the southern crosses the Yellow Dog : Handy and the Mississippi Delta, 1903-1905 -- Mr. Crump don't 'low : the birth of the commercial blues, 1905-1909 -- Handy's Memphis copyright blues, 1910-1913 -- Tempo à blues : Pace & Handy, Beale Avenue music publishers,1913-1917 -- New York City : national success, the "St. Louis blues," and Blues: an anthology, 1918-1926 -- Symphonies and movies, spirituals and politics, and W.C. Handy as perennial performer, 1927-1941 -- "St. Louis blues" : the final performance, 1958
A view of Mr. Handy : one afternoon in Memphis, 1918 -- Slavery, the AME Church, and emancipation : the Handy family of Alabama, 1811-1873 -- W.C. Handy and the music of black and white America, 1873-1896 -- Jumping Jim Crow : Handy as a traveling minstrel musician, 1896-1900 -- Aunt Hagar's ragtime son comes home to Alabama, 1900-1903 -- Where the southern crosses the Yellow Dog : Handy and the Mississippi Delta, 1903-1905 -- Mr. Crump don't 'low : the birth of the commercial blues, 1905-1909 -- Handy's Memphis copyright blues, 1910-1913 -- Tempo à blues : Pace & Handy, Beale Avenue music publishers,1913-1917 -- New York City : national success, the "St. Louis blues," and Blues: an anthology, 1918-1926 -- Symphonies and movies, spirituals and politics, and W.C. Handy as perennial performer, 1927-1941 -- "St. Louis blues" : the final performance, 1958
Statement of responsibility:
David Robertson
Characteristics:
x, 286 p., [8] p. of plates :,ill. ;,25 cm.
Author (Original Script):
Robertson, David
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