Hip Hop Matters
Politics, Pop Culture, and the Struggle for the Soul of A Movement
Details
- Description
- Full Record
- Author Notes
- Contents
- Excerpts
- Reviews
- Summary
- A\\V Summary
Searching for more content…
Random House, Inc.
From its humble beginnings in the Bronx to its transformation into a multibillion-dollar global industry, hip hop has stirred constant and contentious debate. Avoiding the simple caricatures that either celebrate or condemn this powerful movement, S. Craig Watkins produces … More »
From its humble beginnings in the Bronx to its transformation into a multibillion-dollar global industry, hip hop has stirred constant and contentious debate. Avoiding the simple caricatures that either celebrate or condemn this powerful movement, S. Craig Watkins produces … More »
Random House, Inc.
From its humble beginnings in the Bronx to its transformation into a multibillion-dollar global industry, hip hop has stirred constant and contentious debate. Avoiding the simple caricatures that either celebrate or condemn this powerful movement, S. Craig Watkins produces one of the most thorough accounts of hip hop yet. Hip Hop Matters delves deeply into the phenomenal world that hip hop has created and comes up with a portrait that is as big, brave, and vibrant as the movement itself. Readers see the brilliance and blemishes of hip hop's entrepreneurial elite and also discover a thriving digital underground, hip-hop inspired literature, young political activists, and the movement's own intelligentsia.
Watkins punctuates this meticulously researched book with revealing anecdotes and astute analysis of the corporate takeover of hip hop, the culture's march into America's colleges and universities, and the rampant misogyny threatening hip hop's progressive potential. He also offers revealing portraits of some of hip hop's most intriguing personalities-Sylvia Robinson, Grandmaster Flash, Chuck D, Jay-Z, Hype Williams, and Eminem-and influential brands-FUBU and Def Jam.
Ultimately, we see how the struggle for hip hop reverberates in a world bigger than hip hop: global media, racial and demographic change, the reinvention of the pop music industry, urban politics, the moral and public health of young people, and their relentless desire to be heard and respected.
It is the spectacular convergence of these and other issues that makes hip hop one of the more compelling stories of our time. Which people and what forces are vying to control a movement that has become a lucrative pop culture industry as well as an insurgent voice for the young and the disenfranchised? Watkins's incisive and timely book decisively answers the question and shows why now, more than ever, hip hop matters.
Houghton
Baker & Taylor
Explores the evolution of hip-hop and the backlash against it, from Detroit Mayer Kwame Killpatrick, the nation's first hip-hop mayor, to the reception of the music on college campuses, where debates over its misogyny thrive.
Baker
& Taylor
The author explores the evolution of hip hop and the backlash against it, from Detroit Mayer Kwame Killpatrick, the nation's first hip hop mayor, to the reception of the music on college campuses, where debates over its misogyny thrive.
« Less
From its humble beginnings in the Bronx to its transformation into a multibillion-dollar global industry, hip hop has stirred constant and contentious debate. Avoiding the simple caricatures that either celebrate or condemn this powerful movement, S. Craig Watkins produces one of the most thorough accounts of hip hop yet. Hip Hop Matters delves deeply into the phenomenal world that hip hop has created and comes up with a portrait that is as big, brave, and vibrant as the movement itself. Readers see the brilliance and blemishes of hip hop's entrepreneurial elite and also discover a thriving digital underground, hip-hop inspired literature, young political activists, and the movement's own intelligentsia.
Watkins punctuates this meticulously researched book with revealing anecdotes and astute analysis of the corporate takeover of hip hop, the culture's march into America's colleges and universities, and the rampant misogyny threatening hip hop's progressive potential. He also offers revealing portraits of some of hip hop's most intriguing personalities-Sylvia Robinson, Grandmaster Flash, Chuck D, Jay-Z, Hype Williams, and Eminem-and influential brands-FUBU and Def Jam.
Ultimately, we see how the struggle for hip hop reverberates in a world bigger than hip hop: global media, racial and demographic change, the reinvention of the pop music industry, urban politics, the moral and public health of young people, and their relentless desire to be heard and respected.
It is the spectacular convergence of these and other issues that makes hip hop one of the more compelling stories of our time. Which people and what forces are vying to control a movement that has become a lucrative pop culture industry as well as an insurgent voice for the young and the disenfranchised? Watkins's incisive and timely book decisively answers the question and shows why now, more than ever, hip hop matters.
Houghton
Avoiding the easy definitions and caricatures that tend to celebrate or condemn the “hip hop generation,” Hip Hop Matters focuses on the fierce and far-reaching battles being waged in politics, pop culture, and academe to assert greater control over the movement. At stake, Watkins argues, is the impact hip hop will have in the lives of the young people who live and breathe the culture.
The story unfolds through revealing profiles, looking at such players as Detroit mayor Kwame Kilpatrick, widely recognized as America’s first hip-hop mayor; Chuck D, the self-described “rebel without a pause” who championed the Internet as a way to keep socially relevant rap music alive; and young activists who represent hip hop’s insurgent voice. Watkins also presents incisive analysis of the corporate takeover of hip hop; the culture’s march into America’s colleges and universities; and the rampant misogyny that undermines the movement’s progressive claims.
Ultimately, we see how the struggle for hip hop reverberates with a larger world: global media consolidation and conglomeration; racial and demographic flux; generational cleavages; the reinvention of the pop music industry; and the ongoing struggle to enrich the lives of ordinary youth.
The story unfolds through revealing profiles, looking at such players as Detroit mayor Kwame Kilpatrick, widely recognized as America’s first hip-hop mayor; Chuck D, the self-described “rebel without a pause” who championed the Internet as a way to keep socially relevant rap music alive; and young activists who represent hip hop’s insurgent voice. Watkins also presents incisive analysis of the corporate takeover of hip hop; the culture’s march into America’s colleges and universities; and the rampant misogyny that undermines the movement’s progressive claims.
Ultimately, we see how the struggle for hip hop reverberates with a larger world: global media consolidation and conglomeration; racial and demographic flux; generational cleavages; the reinvention of the pop music industry; and the ongoing struggle to enrich the lives of ordinary youth.
Baker & Taylor
Explores the evolution of hip-hop and the backlash against it, from Detroit Mayer Kwame Killpatrick, the nation's first hip-hop mayor, to the reception of the music on college campuses, where debates over its misogyny thrive.
Baker
& Taylor
The author explores the evolution of hip hop and the backlash against it, from Detroit Mayer Kwame Killpatrick, the nation's first hip hop mayor, to the reception of the music on college campuses, where debates over its misogyny thrive.
Imprint:
Boston - Beacon Press
Pages:
295
ISBN:
0807009822
Language:
English
Notes:
Includes bibliographical references (p. 261-282) and index
Statement of responsibility:
S. Craig Watkins
Characteristics:
295 p. ;,23 cm.
Author (Original Script):
Watkins, S. Craig
▾More
MARC Display»
Community Activity
Find it at NYPL
Loading...




Comment
Add a CommentThere are no comments for this title yet.