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Cloud Atlas

A Novel
Mitchell, David (Book - 2004 )
Average Rating: 4 stars out of 5.
Cloud Atlas
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Item Details

Recounts the connected stories of people from the past and the distant future, from a nineteenth-century notary and an investigative journalist in the 1970s to a young man who searches for meaning in a post-apocalyptic world.
Authors: Mitchell, David (David Stephen)
Statement of Responsibility: David Mitchell
Title: Cloud atlas
a novel
Publisher: New York : Random House Trade Paperbacks, c2004
Edition: 1st U.S. ed
Characteristics: 509 p. ; 22 cm.
Summary: Recounts the connected stories of people from the past and the distant future, from a nineteenth-century notary and an investigative journalist in the 1970s to a young man who searches for meaning in a post-apocalyptic world.
Subject Headings: Fate and fatalism Fiction Reincarnation Fiction Fantasy. gsafd
Genre/Form: Fantasy fiction
Topical Term: Fate and fatalism
Reincarnation
Fantasy
LCCN: 2003069314
ISBN: 0375507256
9780375507250
9781417664726
141766472X
Branch Call Number: FIC M
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May 5 2014.......I watched the movie first. Enjoyed it, but really didn't understand it. The book is more revealing, and it was nice to have faces to the characters as I read along. Will watch the movie again, now that I have read the book. I will re-read this in the future as it has many thoughts to ponder upon. I kinda think that was the point of the book, to get you thinking about different ideas. I don't really have a good memory, and had trouble getting back into the stories after they were interrupted. I think next time I will read them from start to finish before moving on to the next one. I'll write down the points to ponder as I go along next time as well. I'm just too scatterbrained to remember them all. I must mention that I also cheated, while reading this. I read it while listening along to the -Daisy- presentation (from the CNIB) (no audiobook was available, so I managed to wangle the Daisy version, even though I was not supposed to have it.) I must say that the Daisy version was a delight to listen to, different narrators with great accents and great dramatical reading. Also I must mention, that the Daisy version was quite different from the print version. Whole words changed, whole phrases and paragraphs changed or rearranged. It was like an editing of the book had taken place before the recording was done. Wondering which is truly the original? and why this was done? Anyway, this book was very entertaining, but definitely not cotton candy, and I will recommend it to some of my friends, but not to others!

Mar 02, 2014
  • hmcgivney rated this: 4 stars out of 5.

I think I may have psyched myself out about this one. I was told that it was challenging, high-brow literature, and so I pre-judged that I wouldn't "get" it. I'm glad I gave it the college try, though, because I think these nested and entwined stories are very good. A few of them took some time for me to find the rhythm, but it wasn't insurmountably difficult. I enjoyed the differences in tone and writing style among the six stories. And I liked most of the main characters, especially Luisa Rey and Sonmi-451 (I would have appreciated a whole book about either of these women, and I think Sonmi-451's story was particularly chilling and profound). Ultimately, I enjoyed the unusual structure and style, and I appreciate the message that an individual's struggle against cruelty and oppression may not seem like much (and may feel practically pointless), but that many drops make an ocean.

Nov 05, 2013
  • anon_reader rated this: 3 stars out of 5.

This is a most strange & wondrous book that I happened upon whilst travelling in French Polynesia. I no sooner began to get into the book when ... My Dear Sixsmith, Once again I am in Bruges attempting to complete my composition, yet my attention begins to wander at the thought of the lovely ... Well. this certainly has been a trip! Discovery of corruption and conspiracy in mid-70's California! I am just about to reveal my findings when ... Bloody Hell! What am I doing in this old folks home? And how did I get here? I didn't expect to be ... As a fabricant in the not too distant future I must admit to being intrigued with the direction this story is taking ... Yes, the narrative of "Cloud Atlas" does jump about a bit. (I would have started a new paragraph here, but the OPL site does not tolerate new paragraphs. So you will have to excuse the poor typography of this comment.) Nevertheless, the story is engaging. However, the reader expects all of the loose ends to be neatly tied up by the end of the story in a conclusion of cosmic significance and yet ... there is none. Perhaps like life itself. Any maybe that was the point of the story in the first place.

Jun 06, 2013
  • nlester rated this: 3 stars out of 5.

The movie was better than the book. The last 100 pages I expected everything to be revealed and make sense. Lots of extra stuff seemed added. For that long a book, a disappointment.

Apr 14, 2013
  • GeoffAbel rated this: 5 stars out of 5.

Writing doesn't get any better than this. In this single book, the author has proved his facility with almost any form of prose imaginable, expounding high ideas with a humourous and self-deprecating undertone. I can’t imagine any literary-minded peeps not loving this masterpiece (I chuckled about some of the negative reviews. The writing is not pompous or pretentious - that's simply the way any normally educated writer utilizes the Queen's. Also this is not a gimmicky mystery that concludes with a spectacular American climax - it's a rumination). I recommend reading Mitchell's "Ghostwritten" first to get an intro into his style.

Apr 03, 2013
  • lnarizny rated this: 4 stars out of 5.

A stunningly subtle and intricately connected story about the power and importance of social activism and tolerance. The construction of multiple parallels with countless themes reverberating out from the center and in from both ends, not to mention the effortless switching between genres and voices, is simply amazing.

I found Cloud Atlas a little hard to get into at first, but after reaching the midway point, found myself unable to put it down. This can be a difficult book and it's not for everybody, but I enjoyed it and was completely blown away by the author's skill in constructing it.

Mar 04, 2013
  • bjessima rated this: 5 stars out of 5.

My favorite book of the last many years. I found the individual stories fascinating and intricate, while the interweaving of these even more so. Thought the movie was quite good but nothing beats the book.

Feb 10, 2013
  • mrmervis rated this: 4 stars out of 5.

Saw the movie first, which made me want to read the book. So I'm not sure how much my impression is colored by the movie. I thought Mitchell did a very good job writting in different styles for each storyline. I appreciate how the book goes forward through time, then backward, unlike the confusing jumpy moves that the film made. The end still seems a little flat and preachy.

Jan 07, 2013
  • AnneDromeda rated this: 4.5 stars out of 5.

David Mitchell’s *Cloud Atlas,* released in 2004, fits the definition of a sleeper hit. Ridiculously well reviewed, its unconventional composition threw many early readers. It took time for word of mouth to spread from those tenacious readers who made it far enough into the book to make sense of Mitchell’s ambitious project. Eventually, even Hollywood caught on, so those of you who’re interested in the premise but frustrated by the execution can go take it all in on the silver screen right now. You could. But I really think you should read the book first, and not just because I’m a librarian.<br />

*Cloud Atlas* is composed of six separate stories fit together like matroishka dolls. It begins with the epistolary narrative of a man at sea in the South Pacific in the 1860s, witnessing the last gasps of the slave trade and the messy, colonial birth of global capitalism and industrialism. The flowery writing perfectly suits a 19th-century adventure tale full of pirates, sailing, exploring and riches. However, just as the action begins to really pick up, the narrative ends mid-sentence.<br />

Another – seemingly unrelated – narrative begins. It follows the couch-surfing adventures of a brilliant composer named Robert Frobisher through 1930s Europe. Full of witty, Wildean dialogue, this narrative is more than entertaining enough to carry the reader through to Frobisher’s discovery of a book sharing the title of *Cloud Atlas*’s interrupted opening narrative in the South Pacific. <br />

Having just gotten readers comfortable, Mitchell again shifts focus; this time, we land in a 1970s-era spy thriller that references Frobisher. Why? No explanation’s given, and the narrative breaks again. Now we follow the head of a vanity publishing house through a comedy of errors leaving him imprisoned in a nursing home in our current time. Then we jump to the testimony of a human clone genetically optimized for food service, testifying her experience living in a hyper-commercialized dystopian version of future-Korea to a corporate archivist. Then we land in post-apocalyptic Hawai’i, where an elder tells his life story in orature. This narrative is the deepest in the layered intertextuality of *Cloud Atlas* – after hearing Zachary Bailey’s life story we move in reverse order back through the other half of the nesting narratives begun earlier in the novel.<br/ >

Technically composed of six well-crafted novellas interlaced in unexpected ways, the weighty consequence of each narrative relies on all the others to be fully realized. *Cloud Atlas* could alternatively have been titled Frankfurt School’s Instrumental Reason: The Novel, but those with no background in Continental philosophy will still find much to love here, if they take the time. *Cloud Atlas* is highly recommended to fans of Margaret Atwood, Ursula K Le Guin or any literary science fiction. It is also recommended to any readers of literary fiction who don’t mind some serious experimentation, and who love beautifully crafted language.

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Aug 04, 2013
  • sbn_kc rated this: 0.5 stars out of 5.

A convoluted mess that wanders along several threads. Found the one interesting thread and finished it across several chapters, then gave up on the book.

Jul 12, 2013
  • Luv2cNewThings rated this: 2 stars out of 5.

The reader follows a group of different people through reincarnations - starting with Adam Ewing. It seems that regardless if a character lived a full life or not, his or her story goes on.

The reader also goes on a passage of time. He/she will reach the pinnacle of humanity, which falls and starts all over again for a lack of better terminology!

On a side note: It was interesting how David Mitchell structured the novel. Unfortunately, it simply did not keep my interest.

Jan 07, 2013
  • AnneDromeda rated this: 4.5 stars out of 5.

David Mitchell’s *Cloud Atlas,* released in 2004, fits the definition of a sleeper hit. Ridiculously well reviewed, its unconventional composition threw many early readers. It took time for word of mouth to spread from those tenacious readers who made it far enough into the book to make sense of Mitchell’s ambitious project. Eventually, even Hollywood caught on, so those of you who’re interested in the premise but frustrated by the execution can go take it all in on the silver screen right now. You could. But I really think you should read the book first, and not just because I’m a librarian.<br />

*Cloud Atlas* is composed of six separate stories fit together like matroishka dolls. It begins with the epistolary narrative of a man at sea in the South Pacific in the 1860s, witnessing the last gasps of the slave trade and the messy, colonial birth of global capitalism and industrialism. The flowery writing perfectly suits a 19th-century adventure tale full of pirates, sailing, exploring and riches. However, just as the action begins to really pick up, the narrative ends mid-sentence.<br />

Another – seemingly unrelated – narrative begins. It follows the couch-surfing adventures of a brilliant composer named Robert Frobisher through 1930s Europe. Full of witty, Wildean dialogue, this narrative is more than entertaining enough to carry the reader through to Frobisher’s discovery of a book sharing the title of *Cloud Atlas*’s interrupted opening narrative in the South Pacific. <br />

Having just gotten readers comfortable, Mitchell again shifts focus; this time, we land in a 1970s-era spy thriller that references Frobisher. Why? No explanation’s given, and the narrative breaks again. Now we follow the head of a vanity publishing house through a comedy of errors leaving him imprisoned in a nursing home in our current time. Then we jump to the testimony of a human clone genetically optimized for food service, testifying her experience living in a hyper-commercialized dystopian version of future-Korea to a corporate archivist. Then we land in post-apocalyptic Hawai’i, where an elder tells his life story in orature. This narrative is the deepest in the layered intertextuality of *Cloud Atlas* – after hearing Zachary Bailey’s life story we move in reverse order back through the other half of the nesting narratives begun earlier in the novel.<br/ >

Technically composed of six well-crafted novellas interlaced in unexpected ways, the weighty consequence of each narrative relies on all the others to be fully realized. *Cloud Atlas* could alternatively have been titled Frankfurt School’s Instrumental Reason: The Novel, but those with no background in Continental philosophy will still find much to love here, if they take the time. *Cloud Atlas* is highly recommended to fans of Margaret Atwood, Ursula K Le Guin or any literary science fiction. It is also recommended to any readers of literary fiction who don’t mind some serious experimentation, and who love beautifully crafted language.

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Cloud Atlas movie extended trailer #1

Movie due out October 2012. Cloud Atlas Extended Trailer #1 (2012) - Tom Hanks, Halle Berry, Wachowski Movie HD

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Version pocillo (pocillo) Last updated 2014/09/02 11:42