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The Materials and Techniques of Medieval Painting

The Materials and Techniques of Medieval Painting
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Dover Pubns
Medieval painters built up a tremendous range of technical resources for obtaining brilliance and permanence. In this volume, an internationally known authority on medieval paint technology describes these often jealously guarded recipes, lists of materials, and processes.
Based upon years of study of medieval manuscripts and enlarged by laboratory analysis of medieval paintings, this book discusses carriers and grounds, binding media, pigments, coloring materials, and metals used in painting.
It describes the surfaces that the medieval artist painted upon, detailing their preparation. It analyzes binding media, discussing relative merits of glair versus gums, oil glazes, and other matters. It tells how the masters obtained their colors, how they processed them, and how they applied them. It tells how metals were prepared for use in painting, how gold powders and leaf were laid on, and dozens of other techniques.
Simply written, easy to read, this book will be invaluable to art historians, students of medieval painting and civilization, and historians of culture. Although it contains few fully developed recipes, it will interest any practicing artist with its discussion of methods of brightening colors and assuring permanence.
"A rich feast," The Times (London). "Enables the connoisseur, artist, and collector to obtain the distilled essence of Thompson's researches in an easily read and simple form," Nature (London). "A mine of technical information for the artist," Saturday Review of Literature.

Based on authentic medieval manuscripts and laboratory analysis, this volume explains carriers and grounds, binding media, pigments, and coloring materials used to obtain brilliance and permanence. "A rich feast." — The Times (London).



Authors: Thompson, Daniel V. (Daniel Varney), 1902-1980
Statement of Responsibility: With a foreword by Bernard Berenson
Title: The materials and techniques of medieval painting
Publisher: New York : Dover Publications, 1956
Characteristics: 239 p.
Notes: Unabridged and unaltered republication of the first ed. published in 1936 under title: The materials of medieval painting
Subject Headings: Painting, Medieval Pigments Painting Technique
Topical Term: Painting, Medieval
Pigments
Painting
LCCN: 57004711
ISBN: 0486203271
Branch Call Number: 751 T
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The Materials and Techniques of Medieval Painting
Thompson, Daniel V., 1902-1980
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